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Summary
Some of thegreatest action picture ever madehave delivered lengthy fight scene , but one underground martial arts moving-picture show set them all to pity . Long fight scene are a major danger in any action at law movie ; while an epic sequence can be enough to secure a celluloid ’s ethnical legacy , the expanded ambition leave more room for things to go wrong . A Japanese activity pic released in 2021 demonstrates the demands and the potential of such an ambitious undertaking .
The moving picture , which captures its staggeringly long action succession in one take , gives an honest account of the practical complications of shooting action . While the film ’s swordplay lacks the ornate fanfare of some of cinema’sbest soldierly graphics sword fights , it ’s an impressive display of practical supremacy . The picture ’s single take is as well a far cry from the polished choreography ofJohn Wick : Chapter 4 ’s iconicHotline Miamiscene , but let an unprecedented insight into the forcible debilitation of a substantial - time samurai fight .
The Fight Scene In Crazy Samurai: 400 Vs. 1 Explained
In 2012 , stunt choreographer / director Yuji Shimamura partnered with stunt choreographer / actor Tak Shimamura to deliverCrazy Samurai : 400 vs. 1 , although the piece of work would not be unblock for nine years . The film , an passing informal retelling of fabled Japanese fencer Miyamoto Musashi ’s one - military personnel struggle against the Yoshioka kinship group , sees a fictionalized Musashi ( Shimamura)battle off 400 opponents in a uninterrupted 77 - minute competitiveness scene , all enamour in a single take . The movie comes in at 92 mo full , delivering the minimum necessary context , which imply Musashi being ambushed by an U. S. Army of champion after answer a challenge in the first eight minute .
Crazy Samurai : 400 vs. 1is a unique achievement , centering around a 77 - minute fight scene that rarely relents for more than a instant or so at a time . The film finds little room for story , with dialogue and character progression kept to a lower limit . by nature , the grease monkey of the fight are a little unbelievable , with wave after wave of enemies prefer to approach Musashi one at a clock time , rather than simply encircling and overwhelming him . Also , the repetitive action may plough off those viewers unfamiliar with the tremendous warlike nontextual matter proficiency on exhibit . Nevertheless , the moving picture is a unequaled cultural artifact and a mighty practical achievement .
How The Crazy Samurai: 400 Vs. 1 Fight Was Pulled Off
In watchingCrazy Samurai : 400 vs. 1 , the practical demand of shooting a fight scene of such an ambitious scale become increasingly clear . It ’s a testament to Tak Shimamura ’s singular resiliency that the actor is even able to stay on his feet for the integral sequence , let alone carry off the meticulous stage dancing . Shimamura ’s very real exhaustionnear the conclusion of the 77 - minute sequence is palpable . He reportedly suffered legion trauma during the arduous shoot , including broken fingers , cracked ribs , and misplace tooth ( viaDen of Geek ) .
Some of the practical necessities stand in the way of the film ’s realness . rather of dealing with the requirement of setting up squibs and false blood , Crazy Samurai : 400 vs. 1uses flimsy CGI blood for its blade wounds . Musashi ’s adversary roll or are dragged off - CRT screen after being dispatch to debar a motionless trail of cadaver so that the performing artist can be reused later in the moving-picture show . The small town is also litter with bamboo piddle bottles from which Musashi regularly drink , and their convenient position is never explained . While these idiosyncracies harm submergence , they wait on as a perpetual monitor ofCrazy Samurai : 400 Vs . 1 ’s titanic practical achievement .
Source : Den of Geek
